R.O.C.A. Man (of The Ghost Smokers) Collabo- "Donkey Kong"

R.O.C.A. Man (a.k.a. Solwell) and I met through a mutual friend (Ed) and spent many hours of smoking blunts, listening to beats (my older ones), and playing Tekken. We always talked about doing a collabo, but he eventually moved back to Columbus, OH. After a few years we finally re-connected on Facebook we linked up and decided to do the long awaited collabo. This is the second of the collabos we were working on. Hopefully you guys enjoy!

R.O.C.A. Man - Donkey Kong (prod by TEKNODROME) by TEKNODROME / @UGLYBEATS

8 Tips A Producer Can Live By

1. The Producer, Not The Gear, Makes The Music

A producer who doesn't know what he's doing cannot produce golden sound, even with the best gear on the planet. Give a great producer even just decent gear and he'll still manage to produce quality results.
The point? New gear won't make you better. Work on your super-ninja production skillz first! Learn how to use the gear you have, learn and use different mic techniques, study the basics of acoustics, computer recording and mixing. Apply this knowledge and refine it as you go along.

2. Crapola In, Crapola Out

You've probably heard of the fix-it-in-the-mix mentality by now and you also know you should avoid that line from ever entering your mind. Heaping on the effects or compressing the living life out of a track during the mixing stage won't give you the fat sound you lust after.  A low-level recorded or weak signal will be much closer to your noise-floor. Adding compression to this weak signal during mixing will pull up the noise along with the signal.  The same goes for out-of-time-or-out-of-rhythm instrumentalists. Headache to fix in the mix.
The point? Always aim to get the best possible signal down while recording. Don't settle for less-than-great takes unless you're absolutely pressured to do so.

3. S.O.S (Save Obsessively Silly!)

Computer music production is great, no doubt. Computers and software however like to sometimes crash.
It sucks to get a mix just right, crash and then realize the last half-hour of your work has vanished into the abyss where all non-saved work dwells. The point? Develop the save often habit into a compulsion. You may find yourself hitting the save shortcut (Ctrl+S) even while browsing the web! That's fine. At least your work will be captured. This is one of those music production tips you don't want to learn from experience. ;-)

4. Close Your Eyes To Open Your Ears

The visual sense takes priority with most of us which means that while your eyes are open the ears are pushed to second place. The visual aspect of computer-based DAWs makes music production much more of a visual activity, often at the expense of good sound. The point? Close your eyes to make your ears into the top priority sense. Trust your ears when hunting for a good sound. If it sounds good to you, it probably is good.

5. Record Dry, Add Effects Later

This one's simple: You can add all the effects you want in post-production. Removing effects is much harder.
The point? Keep your recordings clean on the way in and the mixing stage will offer many more possibilities for creative work.

6. Order Is Freedom

As an artist you may draw inspiration from chaotic environments. This changes the moment you put on your producer cap.  Tidiness, whether it be in your studio, your computer file-system or your DAW session, will allow you to be creative.  The point? Keep things tidy so you won't get overwhelmed or bogged-down with technical issues or searching for files when you want to be creative or productive.

7. Inspiration Comes While You Work

Pros sit their behinds down every day and work. This is what makes them pro. They don't sit around waiting for inspiration to strike.  What you focus on grows. So, when you focus on music production the inspiration will arise in that area. Ideas will flow and things will happen.  The point? Work your craft daily and the Muse will visit you often. Waiting for inspiration is a fool's game.

8. Give Me a Break!

Your ears and brain need a little R&R or they cross over a threshold where they start to shut out incoming signals. No, I've not scientifically verified this. I'm sure the papers must be out there in some academic journal. ;-)  The point? Take regular breaks every 15 to 20 minutes to avoid brain-fry and cloth-ears, especially when mixing. This will save your ears, give you more perspective and boost your output.

R.O.C.A. Man (of The Ghost Smokers) Collabo- "Ready, Set"

R.O.C.A. Man (a.k.a. Solwell) and I met through a mutual friend and spent many hours of smoking blunts, listening to beats, and playing Tekken. We always talked about doing a collabo, but he eventually moved back to Columbus, OH. After a few years and finally re-connected on Facebook we linked up and decided to do the long awaited collabo. This is just one of the end results with another one close behind! 
R.O.C.A. Man - Ready Set (prod. by TEKNODROME) by TEKNODROME

Chino XL shouted out to me on Twitter!!!

/////gratitude!!!

Yes I am a fan of CHINO XL!!! This is a big deal to me-- I always love when respected artists acknowledge my presence in the hip hop world.

mc chris race wars remix contest

Found out mc chris was having another remix contest, figured I'd take a crack at the whole album. Follow me to see if i can get it done by the deadline!