Thursday, February 7, 2013

Music Business Etiquette. Oh Yeah, That Matters!

Think music industry etiquette doesn't matter? Think again. There may be some things about the music business that make it less uptight than other industries, but word of mouth is a large part of what makes the business tick - and when an industry runs on word of mouth, how you treat the people you encounter counts. Now, I'm not saying that you need to bring a host(ess) gift to your next business meeting, but there are a few things you can do to avoid becoming THAT guy / girl. Here are a few music industry etiquette tips to help you stay on the right side of your fellow music biz types.

1. BCC Is Your Friend

When you send an email to a group of people, use the BCC (blind carbon copy) field. If you don't, everyone who is copied on your email list can grab the email addresses of everyone else - and not everyone is going to be cool with that. Using BCC says, hey, I appreciate having this line of contact for you, and I respect your right to decide who does and doesn't have this address. This is true of both industry email lists and fan email lists.

Of course, accidents happen. If you accidentally CC rather than BCC your email list, apologize. It still might not make you the most popular kid for a little while, but at least you have acknowledged that you understand that you have compromised the privacy of the people on your list.

2. Use Follow-Up Sense

You're waiting for some feedback on your song/business prop/etc. And you're waiting. And you're waiting. And it's just not coming.

Frustrating? Oh, absolutely. But there is a line between following up territory and restraining order territory. Don't cross it. Unless the entire world will collapse if you don't get an answer on something by 6 PM, if you're calling or emailing multiple times per day, you're probably going overboard. Likewise, don't track down home numbers, etc, and try to catch people out that way. If you make multiple follow-ups, a simple, "I know you're busy, but..." and a "please let me know if you need more info" make gentle reminders that you're waiting for news. Stay polite, annoying as it may be.

3. State Your Business

The first time you make contact with someone, give yourself a proper introduction. Don't assume they know who you are, and don't do things like (one of my personal faves) send an email that simply says something like, "let's work!"

Of course, don't start at birth, either -. "Hi, I'm so and so from such and such" plus a few details and maybe a website link work fine. Then, explain why you're reaching out, be it booking a show, soliciting advice or just because you like what they're doing and wanted to open a line of communicaton. If you're hoping to meet up or have a phone call to discuss something, say so and suggest a few times. Be clear and concise - you're more likely to get a response if people can actually understand what you're after.

4. Keep Your Appointments (And Buy The Coffee)

If you make an appointment with someone, keep it or reschedule it. Bonus points for being on time or calling if you are going to be late. It is just good manners, period. Plus, not showing up for a meeting makes you look irresponsible, unreliable and scatty.

Likewise, if you request a meeting with someone to ask for advice or pitch something to them, consider springing for their coffee/drink/meal if at all possible. It is a gracious thank-you for their time. Of course, money can get pretty tight in the music industry, but if you can do it - go for it.

5. Put It In The Vault

The music industry is a very small place. You may have the goods on a lot of music business deals gone wrong, not to mention the personal goods on what so and so did on tour or why so and so got booted from the band. Tempting as it may be to blab - zip it. This is doubly true of your own deals gone wrong. You may feel incredibly slighted by your band break-up or management collapse, but take the high road when pressed for details.

Two good reasons to button your lips? Well, one: gossip is a two way street - you probably have a few stories of your own you'd appreciate someone keeping close. Two: being a big mouth says, "if our working relationship doesn't work out, I will violate your trust, too." Doesn't exactly instill confidence.

6. Take Your Lumps

Not everyone is going to like everything you do. Whether their displeasure is expressed by declining to work with you or in review form for all to see, don't even think of sending an outraged email or getting them on the phone to confront them. Yes, maybe they DON'T get what you're doing, maybe they're the only ones to have ever complained - just let it ride. You can't bully someone into liking your music. There is no accounting for who likes what, and you can't predict it or change it. If there are "fair enough" points in a bad review, take them. Otherwise, your time is much better spent focusing on the people who are into what you're doing and making peace with the fact that there is no such thing as unanimous in the music biz.

7. Respect the Free Stuff

Free stuff, like guest list spots or promos, don't just fall from the sky. They may be free to you, but someone is paying for them. Getting to go to shows for free or getting free music are great perks of working in music, but try not to send your favorite band into bankruptcy by treating your 25 closest friends to a free night out at their show. Be reasonable when requesting guest list spots and other free things.

8. Thank You

Did someone take the time to respond to your request for advice, give you a recommendation or introduction or help you in some other way? For goodness sake, thank them.

Monday, December 31, 2012

Mailbomb Records signs J-Draztik


J-Draztik was born and raised in Richmond VA, (now located in Kingsport, TN) started rapping at the age of 14. Since then his style evolved into his own mix of gritty horrorcore /street sound, he performed at the the 2004 Gathering of the Juggalos, and at the same time put out the "Mind Of A Maniak" EP, in 2010 he created his most current body of work entitled "Draztik Timez Draztik Meazurez",and is now currently working on other projects, he loves to make music, and will collab with anybody that has talent.


BE EXPECTING A MIXTAPE THEN LATER IN 2013 AN LP


BE SURE TO HIT HIM UP ON HIS SITES!!!

FACEBOOK
TWITTER
YOUTUBE

Sunday, December 23, 2012

Assembling the Basic Beat, Step by Step



1. You can assemble the elements in any order you want, but I tend to work the kick drum track first, then the claps, hats, and snares into a good solid 8 bar pattern. 

2. Then I will put on the bass. Just pick one that has some girth. Later on you will have to find one that fits perfectly with the song.

3. Before going any further, it makes sense to try different grooves and find one you can commit to for the entire beat. Listen for a "lock". That's when you hear something that is so cool you know it can drive the song. There are lots of tricks here. Get to know how your sequencer can use a quantized swing template. Check out my notes on Groove considerations near the end.

4. Then you can add supporting orchestration. Remember, think of a metaphor for your ensemble.

5. Next, copy the 8 bar grooved pattern with its bassline and other elements to make it a 16 bar pattern. You might drop out one of the orchestrated elements for the first 8 bars so it only plays during the second 8 bars.

6. Then, copy the first 8 bar drum pattern to the third 8 bars an start developing a chorus. You might replace drums with others. Replace or alter the bass. Keep the kick but change the snare and claps, adding perhaps a different effect. Now add new supporting orchestration to the chorus.

Wednesday, December 19, 2012

What are Beats?

This is the most important term to understand in Hip Hop construction, cause if you don't know it, you'll never understand what people are talking about. The Beat is basically, the whole song minus the vocals. It usually includes the following:

1. MIDI Drum patterns or audio drum loops, which comprise the complete drum tracks
2. A Bassline (MIDI sequence typically)
3. Supporting Orchestration (could be synth pads, string sections, horns)
4. Dubs and snips (samples that accent and give character)

The Beat can be long or short. In its shortest form it is 8 bars. If short, it is usually looped over and over again, for as long as the vocalist wants. If long, it may be comprised of different parts for the verse and chorus and may add an introduction, a break, and an ending. Often, the HH song follows classic pop form of Intro (8 bars). Verse (8-16 bars) Chorus (8 bars) Verse (8-16 bars) Chorus (8 bars) Break (2-8 bars) Verse or Chorus (8-16 bars) then ends in a fade out. This structure, called the arrangement, of course, is not written in stone. It can be modified to suit the piece at hand.

What do the vocal tracks consist of in a Hip Hop song?

1. Main vocal: The main vocalist performs the rap
2. Second Vocal: Some songs may have a guest vocal or second vocal that takes a verse
3. Background Vocals: Are often created to give a sense that a whole group is participating
4. Overdubbed vocals: During the chorus and at other parts that the artist wishes to emphasize, the main vocal may be doubled, tripled or even quadrupled

Tuesday, December 18, 2012

Vitiate Releases W.H.I.T.E. LP

Vitiate - W.H.I.T.E. CD's, digital downloads, and merchandise available here! I recommend checking it out! Lots of features!!! Amongst the artists to rap over TEKNODROME beats were Vitiate, B-Rhymezz, Celph Titled, & Steven Cooper! And that's just a small list of features on this album!!! [others include: Copywrite, Bekay, Diabolic, Klive Kraven, Evil Intentions & still more! And we can't forget the dope ass video for "Vintage" (another beat by yours truly!) Oh yeah the Itunes version of the album has the Lo Key featured track "The Killers"

SITES TO PICK UP THE ALBUM
If you want to pick up a digital copy to save some money, go here.


Sunday, December 9, 2012

FLy Jay releases album: "The Root"


"The Root" - full length grimey, gritty, street album from his FLyness definitely dropping tomorrow (or today, rather). Jay just promised a few of the beat makers he'd let them hear it first.  Featuring production by Melvin Junko, TEKNODROME / UGLY BEATS, Soleternity, Bravestarr, Platinum Beatz, DJ JB, Sinima Beats and Youngstown's own Mad Fame. Guest features from Jamez Bund, Cut The Check, and Sinima himself.

Free download and or streaming.



SEE LISTING OF WHO PRODUCED WHICH TRACKS HERE:


Wednesday, November 28, 2012

Happy 30th Birthday MIDI


Did you know that it was 30 years ago that MIDI (Musical Instrument Digital Interface) was born. You could say one of the first types of open source applications that revolutionised how music was made and paved the way to modern music production, sampling and the whole dance music scene.

The idea behind midi and the reason for its success was that it would be a universal standard and allow any device to speak to another thus allowing keyboards and modules form companies who would otherwise be in direct competition to each other.

No longer did everything have to played live but could instead be sequenced and played back. Early home computers such as Atari and Commodore supported MIDI and very soon were not only used in huge recording studios but also gave rise to the now common home studio setup.